Sunday, September 14, 2008

Early in the Morning



The uneasy butterfly sleepwalks
The sun peeps behind the clouds
The sleeping Jasmine awakes
The hiding root emerges
The Anahaw* leaf dances
The stepping stones do not move
The moss in the garden laughs
The Tamsi* perches on the branch
The wily earthworm comes out
The shy Mimosa* opens up
The cold wind blows
in my face. He stirs
this soul that just
a couple of hours before,
dreamt of this all.

*Anahaw- Philipinne national leaf.
*Tamsi- a small bird found everywhere in the Philippines.
*Mimosa- plant whose leaf closes when touched by wind or hand.
Poem is translated from Cebuano " Sayo sa Kabuntagon*

Monday, September 8, 2008

IN SEARCH OF THE LAST ROMANTIC




While I read your poem
It suddenly came to me. To think
of the man who went away.


He who gave up the last
seat. He who clung
to the trisikad* just to
give my butt a space.

He who sent the letter
with the sweet tounge. Who plucked
the stars and the flowers of
Kangkong* and offered them to me.

He who did not call me
a whore. Reminisced
why i have become
a vendor of my
abused rice cake.

(Where is he?
because this heart
long stained. This heart needs
a savior against the cruel time.)

*trisikad is a Philippine public vehicle that is a contraption of a bicycle and a side car usually seen in the countryside, carrying 5 or more passengers, literally hanging on it.
*kangkong is a cheap Philippine vegetable with a white flower that does not last long in a flower vase; Philippine water spinach.

The painting "Faces of Maria" is by the author

Thursday, August 21, 2008



MY BOOK

He sleeps in the mat
where I wander
through the night

He snores through my ears
while I listen
to his fears

He wakes up slowly
the itch in my brain;
It feels funny

He yawns in my face
tickles the seam
of the embroidered lace

that is dangling
in front of me
swims in my vast sea.

"Picture is my painting on a Philippine woven mat (banig)"


FLOWER WOMAN

Plucked
from the ribs
of Adam
You came to life
inside the node
of the bamboo
Molded
in the midst
of mud that
is made of gold

Maria, Magdalena
and Mary Ann

You grew
out of the mystery
of the seed
in the rain,
you opened
and swayed
with the wind

Hibiscus, Santan
and Jasmine

Beautiful is the maiden
at seventeen
like fireflies
in the month
of December
Behold!
the fire
of the tree
at Fuente-
Woman

Picture is the author's own painting and the poem is a translation from Cebuano "Babayeng Bulak" published in the book "Haling".

Wednesday, August 6, 2008

STORM IN A POETESS' LIFE



Every second a storm rages on
Here, inside my drawer
Where I keep the words
That spin around my head
Sometimes it's signal number one
And my brain just explodes
When it reaches number two
I puff on my tobacco
At times when it is number three
I shout with the raindrops
Number four, I scamper to my room
Number five, I'm screaming mad
And when it reaches number six
There is danger overhead
I would stop my fountain pen
From inflicting any pain
For I am scared of the raging storm
Of signal number seven-
When words drift with the wind
Through the concrete fence
And the tidal waves
Swallow all the rules
that try to stop
the outpour of my metaphors

*this poem is translated from Cebuano, "Bagyo sa Balaknong Kinabuhi"

WHEN I FINISH HIGHSCHOOL

WHEN I FINISH HIGHSCHOOL

Nanay
is pregnant again
There are now ten
siblings in our brood
Tatay is better
than a magician
He believes in God's call
to go out in the world
and multiply
Maybe the heavens
do not know
that there is no more
space in our barrio-
When the stomach
of our youngest one
turns sour
When the shopkeeper
comes to collect
I run to our neighbour
ashamed of this all
It's Okey-
When I reach highschool
I won't worry anymore
Since my best friend
has been telling me
when we finish highschool
we will stow away
to the big city
work on any job
so that I have something
to send to the forever
angry shopkeeper.

*Sculpture "Sorrow" is by the author and poem is translated from Cebuano "Inig-gradweyt Nako sa Haiskul"

WHEN I LEAVE


Switch off the lamp posts
that line
the laughing lane
of our road.
Switch on the radio
to close the conversation,
drown the cheers
that has long been gone.
Take the bottles
of wine from the table
and rip the tablecloth
that is still there.
Silence the dogs
in our yard
who are still waiting
for my footsteps.
Turn on the last song
and once again, wear the dress
that has seen our bliss.
Look for my words
when the sleeping dust
under our old bed, awakens
Forget the whispers
sprouting from sadness
And pour water
on the creeping fire
because the two of us
are now lost, in the thickets
of our jungle.
Fly away
together with the harvest
of all our nights
And don't forget-
Switch off the lights
of the lamp posts.

*picture is the author's own painting and poem is translated from Cebuano "Sa Akong Paglakaw"

Friday, August 24, 2007

The Veil


When a woman crosses the invisible line of innocence, it does not always mean that she will reach the goal of wisdom. But then perhaps, she does.
Ayesha wakes up before dusk is replaced by the soft glow of sunrise. She stirs, sits on the dormitory bed and heads for the wash room. She cleans herself for Silaat or Muslim prayer. A few minutes later, she comes back to the room she shares with Teresa. She takes out a clean mat from her cabinet and carefully places it on the floor near the window facing the rising sun. Just as carefully, she puts on a white hijab or veil to cover her hair. She takes out her slippers, faces in the direction of Mecca, stands erect, head down, hands at the sides and arranges her feet so that they are evenly spaced.
Allaahu Akbar! Allaahu Akbar…
She starts to intone silently, afraid that her roommate would wake up from her prayers. Teresa knows the ritual by heart. They have been roommates in the dormitory for almost three months now. She has learned to pretend to sleep throughout these prayers not wanting to embarrass Ayesha or disturb her. She watches silently as Ayesha stands in attention and brings her hands to her ears with palms forward and thumbs behind her earlobes. Ayesha is now engrossed in Qiyam- the opening plea. She places her right hand over her left hand at chest level then she drops her hands to her sides. She bends from her waist with her palms on her knees and her back parallel to the ground. She looks at her feet while bending.
Ayesha rises from her bent position and stands with her arms at her sides. Placing her hands on her knees, she slowly lowers herself to a kneeling position. Then she touches the ground with her forehead and nose while placing her palms on the ground taking care that her elbows do not touch the ground. Finally, she bends her toes so that the top of her feet face the Qibla or direction of Mecca.
“Subhaana rabbiyal’ Alaa! Subhaana rabbiyal’ Alaa…
Somehow, the chanting lulls Teresa into another world inhabited by women in chadors, mosques, camels and clusters of dates in an oasis. The two students are freshmen at the University of the Philippines in Diliman, Quezon City. They met at the start of the semester during the orientation for all the freshmen students in Kalayaan Dormitory. They would not have recognized each other again in the sea of faces in the auditorium except for the fact that they found out later that they are roommates. Besides, Ayesha stands out in the crowd because of the veil that she wears to cover her hair.
“Which province do you come from? In Mindanao?” Teresa asks.
“I grew up in Riyadh but my mother is from Cebu and my father is a Tausug from Zamboanga.” Ayesha answers quickly. She must have been asked the same question a number of times.
“How about you?” she continues.
“I come from the northern Mindanao city of Butuan, where they discovered the Balanghai boats” Teresa retorts proudly.
“Do you know that Butuan was ruled by a Tausug prince in the 14th century? My father says this is the reason why there are a lot of similarities between the Tausug and Butuan dialects” Ayesha informs her new friend.
“I can understand Butuanon but I don’t speak it fluently” says Teresa.
“That’s okay, I don’t speak Tausug” Ayesha chides her.
That was the start of an uneasy friendship between the two. There is something in Ayesha that Teresa finds disconcerting. For one thing, she prays five times a day. In addition, she does not eat pork, shrimps and crabs. She always wears loose pants or long skirts and long sleeved tops and she never goes out without a veil on her head. Also, she neither drinks alcohol nor smoke cigarettes. Ayesha is never tempted to stay too long in the dormitory cafeteria to chat with the others. There is an aura of aloofness about her that seems to say yes, we can be friends but not too close, please.
Teresa is not a stranger to the Muslims of Mindanao. They roam around her city selling brass wares, batik and malong. Some have stalls in the market where they also offer exquisite South sea pearls. As a child, her yaya used to scare her that a Muslim warrior in a vinta boat will snatch her away from her family if she does not behave like a good girl. She is always warned by family and friends to be careful with the Muslim people. Her mother tells her they can not be trusted in business and that sometimes their men run amok brandishing the Kris, their favorite weapon. Their women stay in their houses or mind their stores in their signature malongs, veils and beautiful jewelries. These people largely stay among themselves. Teresa wonders where they have been hiding their children. Thinking about it now, she does not have a classmate in school back home who is a Muslim. Ayesha is the first Muslim girl she comes very close to.
As Salaamu ‘alaikum wa rahmatulaah…
The chanting stops. Ayesha pauses for a moment as if gazing at the minaret of a mosque in Riyadh outside her window. She looks at Teresa who smiles at her.
“Did I wake you up?” Ayesha asks her.
“Yes, but its fine. We have no class in English today; we are going to a film showing, instead”. Teresa reminds her.
“Yes, I remember and this coming weekend, we will go to Matabungkay beach”.
“So, Ayesha, everybody is curios if you will still be wearing your veil when you go swimming”.
“I know, I will bring my Muslim swimming clothes so that they can watch me”.
“I always wonder how your Mom takes it, living in Riyadh. You told me she is Christian?”
“But she has converted to Muslim a long time ago. My Mom is a better Muslim than my Dad now” Ayesha laughs.
“That is strange; I always thought that women are treated as the weaker sex in your religion. Your Mom swallows that?”
“It is not true, Teresa. There are a lot of misconceptions about our religion. In fact, we believe that women have a very special place in our society.”
“Sorry for all my questions, it is not my intention to question your beliefs.”
“I guess you are just as curios as everybody else what I will be wearing in Matabungkay beach” Ayesha says cheerfully, without sarcasm.
The two girls start giggling. They are both enrolled in the Bachelor of Science in Biology course in UP Diliman. It is a block section which means that they have exactly the same schedule. It has become a habit to wait for each other when they go to school and back to the dormitory again. Conveniently, they go to the cafeteria together for their meals and to the study room when they prepare for their examinations. They have also gone to the shopping center in the campus and to some eatery in Area 1 and 2 on their free time a couple of times. The arrangement suits both girls.
“Hurry up, everyone. You can board the bus now.”
The house mother walks around like a hen exhorting her wayward chicks inside the pen. Ayesha’s hijab glares under the morning light. Beside her is Teresa clad in blue jeans and a baby shirt. Her belly ring peeps out of her navel. The students are in a festive mood. They line up to board the bus that will take them through the tree lined streets of the campus to the audiovisual room in the College and Arts building.
“You don’t feel hot in those clothes and veil?” Teresa asks.
“I am so used to these clothes; it feels like second skin already. Perhaps I would feel naked without my hijab. In Riyadh, we wear chadors but that would look really weird here” says Ayesha.
“Don’t you ever feel like wearing clothes like mine?”
“I don’t know it does not cross my mind. This is me. I happen to be a Muslim woman and as such I wear clothes that don't reveal anything except my hands and my face.”
“You are not uncomfortable that you look different from everybody else? Somehow I feel lucky that I can wear a veil and take it away anytime when I want to!”
“No, Teresa. I don’t feel uncomfortable. It just never ceases to amaze me. As much as people preach the importance of accepting differences, they still stare when I walk through the door. It's the same old reaction every time.”
The bus slows down in front of the College and Arts building and like children going to an excursion, everybody scramble to go out of the bus. The two girls silently join the queue. Ayesha comes out of the bus first. She waits warily for Teresa. She sees Fernando in the entrance of the corridor, talking to the other students, who always gather around him before and after class. They exchange the usual smile of salutation. In his smile, she saw her smile, his lips invisibly pressed to her cheeks. Ayesha immediately blushes. She feels a touch on her sleeve and turns to find Teresa beside her.
“I can see that you and Fernando have already met” Teresa whispers to her.
“Of course, he is in our block section.”
“And he is my charming town mate.”
“Come, let’s go to the audiovisual room, I don’t want to miss the film showing” Ayesha grips Teresa’s hand.
Ayesha left Manila at the age of three. Her father works as a computer programmer in a Riyadh company. He brought his family to the Middle East and they have lived there ever since except for the annual holidays to the Philippines. The children go to International School in Riyadh. Ayesha is also not a stranger to the Christian way of life. Among her classmates are children of expatriates coming from all over the world. Back home, it is unthinkable to feel any admiration for the opposite sex. The Riyadh air does not seem to encourage this. Manila gives her the urge to socialize. It does not matter if he is a Muslim or Christian, Ayesha reassures herself.
On the way to the audiovisual room, there is a whiff of anxiety in the air. Something is up, Ayesha tells herself. She can feel that the students are staring at her veil more than usual. She sees fire spreading throughout the campus and it is threatening to engulf her. The two enters the dark audiovisual room.
“Class, please calm down but something is happening in New York and we are suspending the film showing for now” Miss Fabular, their English teacher says. “Instead, we will watch the CNN report”. “Please take your seats.”
The small television set that is hastily placed in the middle of the room comes alive with a picture of an airplane crashing into a building interspersed with the grim faces of the reporters narrating the attack. And right before their very eyes unfolds the second plane that crashes into the neighboring skyscraper. The crowd gasps. Ayesha closes her eyes.
In the next few days, the horrible events in New York have become the subject of discussions and speculations in the campus and everywhere else. Osama bin Laden and Al Qaeda are thrust into infamy. Everyday, the horrors of September 11 are shown on TV and written about in the newspapers. Muslims begin to suffer from public perception.
“You should stop wearing your veil, some people are really uncomfortable with it” Fernando tells Ayesha.
“I am not a terrorist!”
“We are just trying to help you” says Teresa.
The three classmates sit on a bench in the sunken garden. They come from the library where a group of students heckled at them when they pass by. It is not an isolated incident. Sometimes, people just stare at Ayesha with accusations in their eyes and gestures. The incident that happened thousands of miles away is anguishing the young student.
“Veiling goes beyond religion for me. No matter how my faith fluctuates, veiling is something I just don't compromise. There wouldn't be any sense in wearing it one day and throwing it away the next day. When I walk around without my hijab, I always feel bare” Ayesha explains to her friends.
Teresa and Fernando look at each other. There seem to be no way their friend will listen to them. They just hope that things will settle down in the next days.
“Let us walk back to the library, we still have to finish our research” Fernando tries to change the subject.
They stand up silently and when they come close to the student hecklers, Ayesha slowly takes off her hijab. She uncovers her neck and then her hair. She folds the veil ceremoniously and places it in her bag.
Her long, black hair catches the red glow of sunset.

Sunday, February 25, 2007

THE ROOM

We drive inside
the dark garage

climb up-

the narrow stairs
I hear footsteps
deep in my head

while my heartbeat
drowns my chest,

I taste flowers
smell its scent

but the room is naked
the tree is bare,

I do not remember
what happened next-
your gentle touch
I strongly felt.

I look, around me

What is this room?
It is strong

and square
It gives fire

within my rage,
We tread with
lowered eyelids here

And softly go
behind the blinds,

But hearts may cry
like loaded guns

Brains may yell
in silent hush

And windows soar
from wordless beds

While walls explode
with a violent rush-

Inside-
this room

that is neither mine
nor yours alone.

Tuesday, February 6, 2007

Monday, November 27, 2006

A BOAT CAME PASSING BY


A boat came passing by-
framed by the blue and laughing sky

He did not know I saw
his flirting with the waves and wind

And dancing with the dew.

Dangling from his graceful
end were lines of different hues

and a silent hunter’s plea
that tries to lure the restless sea

In the ancient game of prey.

I offered him a thought or two
that the fish may come to say hello

And swiftly as they glide away
they do not take with them

The courage of a boat-
who sometimes lost

and sometimes
also won.

LONELY FLAT IN NOVO MESTO


This flat is sad, sad, sad!
There is no cat
that chases the rat
when I am out

when I come home
I cannot stand this room
and the smell of doom
by the kitchen door

Lonely, lonely flat
or is this just my heart
that cannot dare to beat
to the music of life?

Can somebody teach my
tired, calloused feet to fly
outside the realm of sky?
then perhaps

This sad, sad, sad flat
Will finally catch a cat.

MY DRESS


I wear this dress
that does not fit
around my neck
I cannot breathe
can barely sneeze
between my teeth
It gets so warm
with long sleeved arms
in the summer time
The shade of gloom
while flowers bloom
outside my room

This will not do.
This shade of gray-

I take off this dress
that does not fit
around my neck
Now I can breathe
and also sneeze
between my teeth
The tiny birds
they fly outside
the familiar cage
And naïve wings
slowly, softly open
to Beethoven’s lament.

This will not do
The preacher says-
This shade of gray.

Put back that dress
that chokes you
just around your neck
You should not breathe
nor sneeze
between your teeth
Kill the bird
that dare to fly
outside its cage
Where butterflies
succumb-
in nectar’s bed.

THE CROSSROAD


I see the road that all of us must
take once,
twice,
or thrice.

The yellow road of spring
That starts to grow its wings

It forks to the left and right
and back,
then forward
or so it seems.

This way is lined with leaves of green
I know not where it is leading-

The others also tempt my feet
Red road
and white
and blue.


Which way should I go?
Please tell me what to do

They say this one leads to the avenue
Of joy
Love, hope
And beauty too

But lurking on its happy street
Is a shade of sorrow’s hue

Perhaps I will not cross any road
I’ll stay
just where
I stood

And everyone who passes by
Can watch me while I cry.

LJUBLJANA TRAIN STATION (Winter 2003)


The airplane to Munchen touches down
and my eager toes alight
They brought me to the hauptbahnhof, soon
but not so soon enough

All around me the clouds converge
scattering this dreamy
specks of dainty white that promises
to stay the night

I have to sleep with Marie Therese
alone in this wintry bed
I am so eager that I drag my foot
across the slippery road

To the house that will give me the stamp
to cross this silent line
While you wait for me beside the lighted lamp
on a dark and chilly night

Off to Villach aboard a galloping horse
that swiftly takes me past
magical castles all in white that wonder
fills my hungry heart

All around you the clouds unite
scattering this dreamy
specks of exquisite white that fall on your coat
but they disappear into the night.

FOR RAIMUND (four years later)


I have written
three poems
that were sad

deserted yachts
in a lonely
beach

stains of
dry and ugly
blood

and blue green eyes
that ache
so bad.

Ach,du
with the painful
heart

that is buried
in a hearty laugh
of steel

and funny tales
of a world
gone mad.

I laughed
with you
like a lonely clown

a smitten fly
caught
in a spider’s web


that you spun
around my
innocent head.

You have to go
I do not know
where

to set
me free from
this invisible jail

so I can fly
with the dove
in the spring of sky.

I no longer
miss you
like years ago

but there are nights
when the full
moon Is out

and my sad
poems
fill the air.

Ach, du
with the
beautiful heart

this will not
be the last
sad poem

that I will write.

I CHERISH


every kiss I get with an open feet
and every time I start this act
I wonder if it would result-
in a searing pain on the chest

For when the story starts to rhyme
the bells, they start to chime
announcing that a lovely crime
Committed at this time

will hurt my worn out heart
that is enclosed in a sheet
of silk and heavy lead,
and dotted with colorful beads.

I cherish every pain that comes
with an anxious open palm
Can someone give me a balm?
that heals and brings me calm

For I cannot eat and cannot sleep
Can’t go to an ocean so deep
Not even to a short, side trip
away from this cruel cliff.

I’m sure am not here alone
I grieve with many in this zone
So- tonight I shall go to bed
with feet that do not bleed.

TONIGHT


I will give away
my chastity
open my moon-
and I will yield
entirely, totally
Madness shall claim
me and fire
shall possess me,
I will swim
through the waves
grasp the wind
of the stormy sea.
And you who plucks
me on this starless
night of Eros
from the haughty
branch where I perched
in full bloom,
You who glide
between my branches
to caress my
raging fire
shall hold me
when I fall-
when we fall
and resist gravity.

THE SMILE


I am sinking in a hole
Where the ghosts
Talk to me
And the light
Betrays my sight
I shiver in the cold
Of fear when hope
Is no longer there
And hungry hands
Pull me down-
Down, down I go
Restricted earth-
I am in pain
I grip the stones
Cry with my bones
Again and again
And again-

He squeezes me
And smiles.

MATCHSTICK


There is only
a single matchstick
left in the box.
And there are
still so many things
I have to light;
the dangling filter
cigarette in my
dry, parched mouth,
and the shivering
water, sleeping in
the gas stove pot.

Which one should
I light at first?

Perhaps the wind
will snatch the fire
from the lonely
matchstick in the box,
and the cheeky gas
in the bottle escaped
for I can not hear him
nor smell his scent.

I would rather light
my cigarette now.
It is quite tasty
and very dry
it will surely
nurture the fire.